Category: BAFAHA 2024

Posted on

Lana Lu

Email: nue1680900@outlook.com


A scan of a sketchbook showing birds in a café enjoying some tea and cake.
Don’t know what to show on the catalogue (ver. English translation), scanned thing, 2024


A drawing of two birds on paper.
yes birdy!, pen on Xuan paper, 2024


  • A page from a manga series about birds.
    Legend of the Birdy, pencil and ink on paper, 2023
  • A page from a manga series about birds.
    Legend of the Birdy, pencil and ink on paper, 2023
  • A page from a manga series about birds.
    Legend of the Birdy, pencil and ink on paper, 2023
  • A page from a manga series about birds.
    Legend of the Birdy, pencil and ink on paper, 2023
  • A page from a manga series about birds.
    Legend of the Birdy, pencil and ink on paper, 2023


Posted on

Chiahsuan Lin

Email: chia222lin@gmail.com

Instagram: @jake_laop


  • A slender ceramic fence decoration rests atop hessian fabric.
    Untitled, Ceramic and Hessian, 2024
  • A collection of ceramic sculptures resembling springs.
    Untitled, Ceramic and Hessian, 2024


  • A two-part installation: a vast translucent canopy suspended from the ceiling, inviting visitors to enter, and two standing sculptures—flat, hollow ceramics delicately balanced on bamboo poles.
    Commensality, digital print fabric, table cloth, steel, wood, bamboo, ceramic
  • A two-part installation: a vast translucent canopy suspended from the ceiling, inviting visitors to enter, and two standing sculptures—flat, hollow ceramics delicately balanced on bamboo poles.
    Commensality, digital print fabric, table cloth, steel, wood, bamboo, ceramic
  • A two-part installation: a vast translucent canopy suspended from the ceiling, inviting visitors to enter, and two standing sculptures—flat, hollow ceramics delicately balanced on bamboo poles.
    Commensality, digital print fabric, table cloth, steel, wood, bamboo, ceramic
  • A two-part installation: a vast translucent canopy suspended from the ceiling, inviting visitors to enter, and two standing sculptures—flat, hollow ceramics delicately balanced on bamboo poles.
    Commensality, digital print fabric, table cloth, steel, wood, bamboo, ceramic
  • A two-part installation: a vast translucent canopy suspended from the ceiling, inviting visitors to enter, and two standing sculptures—flat, hollow ceramics delicately balanced on bamboo poles.
    Commensality, digital print fabric, table cloth, steel, wood, bamboo, ceramic


  • This artwork comprises four sections, featuring intricately laser-cut skeletonized portions that construct abstract landscapes. Atop these are abstract landscape paintings rendered in acrylics and oils.
    Ephemeral Vistas, acrylic and oil on laser cut mdf, 2023
  • This artwork comprises four sections, featuring intricately laser-cut skeletonized portions that construct abstract landscapes. Atop these are abstract landscape paintings rendered in acrylics and oils.
    Ephemeral Vistas, acrylic and oil on laser cut mdf, 2023


Posted on

Celine Lam

 Email: lamceline.ty@gmail.com 

Instagram: @blueskystone 

Website: notmeatspace.com


Blue 

My name is blue. 

藍天瑀 

I am blue like the expanse of the sky, splicing the heavens, delineating the infinities that bound our material world 

天 

I am blue like the gleam of the stones, where we find the meatspace and long for the perversion ofcorporeal reality

瑀 

The landscapes of the human skin is blue

The materiality of the flesh is blue

The transfiguration of the Real is blue

The ode to the Eternal Forms is blue 

The infinite tends to the singular

The singularity tends to infinity

The weave and its asymptotic slink is blue 

Dilation of the interlaced net, of the deep black pinhole of perception

Contraction of gridlined plane, of the murky darkness of yonic wavelengths 

Blue consumes its tail. 


An image of a small mirror on some soil.
In the Absence of Piety, Durational performance, Jungle soil, circular mirror, hand-carved red soapstone 「天」seal, lockable collar with key, text, 2024


In the Absence of Piety

In the absence of piety

I mourn

I grieve

I say goodbye to all I know 

In the absence of piety

I cry

I weep

I put it all to rest

In the absence of piety

I lose everything

For all I have is nothing 

In the absence of piety

Everything seems meaningless

I crave for home

I love all beings 

天下有始, 以为天下母。

(The world has a beginning, and it arose from the mother of the world. – 道德经 52) 

In the absence of piety

Yet I still tether myself

Umbilical familiarity

The land holds me 

In the absence of piety

A blade of grass pushes against the earth

That difficulty births beings in the material world 

In the absence of piety

I am nothing

For I cannot fathom the mother

For I cannot fathom the sky, nor the earth 

In the absence of piety

The heaven-being exists 

有物混成，先天地生。寂兮寥兮，独立而不改，

周行而不殆，可以为天地母。吾不知其名，强字之曰道，强为之名曰大。

(There was something undefined and complete, coming into existence before Heaven and Earth.

How still it was and formless, standing alone, and undergoing no change, reaching everywhere and inno danger (of being exhausted)! It may be regarded as the Mother of all things. – 道德经 25) 

In the absence of piety

I leave it to rest

For I do not know its name 

In the absence of piety

There is death in the detritus

Such porosity in our young souls


A greyscale polaroid photo of someone with a stick looming over a brick.
Second Ceremony of Death in the Absence of Piety 生皮, Durational performance, Metal frame, Dragon Skin FX Pro, rattan cane, thong, incense, 2022. Sound by Nick Sim, Documentation by Chantel Foo, Special thanks to Yeo Xuan, Tan Ya, Velda Phua


Realm of Cosms

Realm of Cosms is spatial. It is locality unknown. Cryptic particularity.

Away from cyberspace, in the meatspace.

Realm of Cosms is bodily. It is material. Everything immaterial is material.

All in cyberspace is tethered to meatspace.

乾

The image of heaven doubled. The cycling of heaven signifies time. Creative power. It is a form ofmovement.

The Realm of Cosms considers the Realm of the Sky.

坤

The image of earth doubled. It holds all things, regardless of its nature. Pure devotion. Opposite ofheaven. The power dynamic remains clear.

The Realm of Cosms considers the Realm of the Earth.

In the Realm of Cosms, care is always gerund. It is everlastingly abundant. This does not exist withoutgrowth, without the energetic lull of love and warmth.

屯

Tension, struggles to attain form. A difficult birth. Placental nourishment, umbilical familiarity. Whena blade of grass sprouts from the earth, it elucidates the material tether, for the reality of beingsbetween heaven and earth.

The Realm of Cosms empathises with this friction.

Realm of Cosms is embodied. It longs for healing.

It longs for health.

It longs for life.


Posted on

Minsuh Kang

Email: mminskang@gmail.com


  • A photo of small painting lit by spotlight and green laser lights.
    Installation view, Sugar Hiccups, oil paint on digitally printed organza, 2024
  • Documentation of a sheer rainbow painting.
    Crimson over Clover, digitally printed organza, 2024
  • Large scale blue painting with apron attached.
    £2, used, acrylic, chiffon, glitter, oil, pigment on rip-stop nylon, metal frame, 2023
  • Beige denim painting with sequins and moustache attached.
    Untitled, silk, sequins, sewing pins, suit trouser pocket, theatrical moustache on denim, 2024
  • A dark green painting with ribbon attachments.
    Puppies poppies, acrylic, oil paint, sewing pins, and ribbons on silk, 2024


Posted on

Scarlett Rose Hynes

Email: scarlettrosehynes@gmail.com

Website: scarlettrosehynes.co.uk


  • n oil Painting of a tree-like shape against raw canvas with washes of colour surrounding the shape.
    The Protected Realm of Birch (Ongoing series) Oil on Canvas, 2024
  • n oil Painting of a tree-like shape against raw canvas with washes of colour surrounding the shape.
    The Protected Realm of Birch (Ongoing series) Oil on Canvas, 2024


The Realm to the Left of the Rock, Film, 2023


  • A digital collage of edited photography, in brown and yellow tones, all landscape images of rock surfaces, tree bark and water surfaces.
    A Window to the Realm (selection from a series), Digital Collage, 2023
  • A digital collage of edited photography, in brown and yellow tones, all landscape images of rock surfaces, tree bark and water surfaces.
    A Window to the Realm (selection from a series), Digital Collage, 2023
  • A digital collage of edited photography, in brown and yellow tones, all landscape images of rock surfaces, tree bark and water surfaces.
    A Window to the Realm (selection from a series), Digital Collage, 2023


Posted on

Harmony-Cree

Email: harmonycree@gmail.com

Instagram: @rexsearch

Website: harmonycree.site


An image of a black Jesmonite bench and white jesmonite chair.
Systems of support, Jesmonite, 2023


  • A white Jesmonite chair.
    If you give me a hug I might crumble, Jesmonite, 2023 I can hold you up, Jesmonite, 2023
  • A black Jesmonite bench with legs that look like arms.
    If you give me a hug I might crumble, Jesmonite, 2023 I can hold you up, Jesmonite, 2023


White Plaster legs supported by wood beams and bricks resting on a plinth covered in cloth.
 To care for you to torture me {in progress}, Jesmonite, Plaster, Wood, Brick, 2023 


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