Jacob Wilson

Email: jwils013@gold.ac.uk



Whale Hunting, Projected Mini DV Video, 2021-2022.

An obsession with the domestic and trivial world is so necessary to school an intelligence and make of it a soul.





I’m sorry, I’ll call you again tomorrow, Mini DV Video on CRT screen, 2021 – 2022.

On every corner a small and common place to go to the end of one’s self in.





Notes from the Ground, Notes found on the ground, 2021 – 2022.

You’ll always be good for nothing if you don’t read what the world has written around you.





Tomas Fernandez Vertiz

Email: tomfdzv@gmail.com

Instagram: @bytomasfernandez

Website: bytomasfernandez.com



Dos Noches y Tres Dias, Audio and Two-Channel Video, 2018-21.

A documentary set in Chinampas, a community in central Mexico, of which several members have had to emigrate to the United States. The relationship between the community and the surrounding nature is explored, whilst remaining in the presence of a wind power plant. Its aim is to question where the future lies for communities affected by poverty in a context defined by environmental progress, violence and corruption.





  • A close-up shot of some hands.
  • A shot of hands chopping vegetables.
  • A shot of hands outside.
  • A shot of a garden.
  • A shot of some graffiti in a city.
  • A blurt shot of someone performing CPR.

A documentary that looks at the Latin American community in London, through arrival and discrimination, sense of community and alternative healing. This 3 chapter documentary takes a deep look at the melancholy of home and at the importance of belonging.





Sam Risley

Email: samrisley@hotmail.co.uk

Instagram: @sam.risley

Website: samrisley.com



  • Video stills from 'Coppice' (2022).

Coppice (2022) is a film rooted in a feeling of psychic dislocation with land. It is an exploration of our ability to be in relation and commune with landscapes transformed through violent industrial histories.





Rita Morais

Email: ritamoraiscarvalho@gmail.com



  • A film still of a piece of a gold and a river.
  • A film still of a hand clutching some pebbles.
  • a film still of a dog in a forest.

Looking for underground remnants of ruina montium – the technique used by romans to extract gold highly explored in Iberia -, we are confronted with a multiplicity of subjectivities that re-inhabit the territory.





Yixuan Lyu

Email: llvyx73594@gmail.com

Instagram: @yixuan.lyu



  • A still from a video about language and blackholes.
  • A still from a video about language and blackholes.
  • A still from a video about language and blackholes.
  • A still from a video about language and blackholes.
  • A still from a video about language and blackholes.

A short video about language and blackhole.





  • stills from a film about an artist trying to get a permanent residency to live underwater.
  • stills from a film about an artist trying to get a permanent residency to live underwater.
  • stills from a film about an artist trying to get a permanent residency to live underwater.
  • stills from a film about an artist trying to get a permanent residency to live underwater.
  • stills from a film about an artist trying to get a permanent residency to live underwater.

A story of an artist trying to get a permanent residency to live underwater.





Patrycja Loranc

Email: psychepoeticlaundrette@gmail.com

 Instagram: @psychepoeticlaundrette

Website: https://www.psychepoeticlaundrette.com



More of What I Don’t Know – trailer, video, performance, field recordings, humming, singing, speech, sweet wrappers, music, 2022.

Four parts of Fragments of Experience project. Psychedelic Practice. Inspired by sensory profiles and neurodiversity the film treats the sensory experience and unique associations of memory as a trigger for an altered state.





  • An abstract, multi-coloured image.
  • an abstract, dark image.
  • a distorted black and white image.
  • A very dark, black and red image.
  • An abstract, greyscale image.
  • An abstract, multi-coloured image.

Fragments of Experience is my ongoing ritual of experimental practice. I collect videos, photographs, sound, and text, captured in different moments of my life that reflect on/resonate with my cognitive, emotional, and sensory experiences.





Here and What Made Me Be, still photographs, field recordings from spaces, 2021.

Exploration of relationships with objects, spaces, and nature through unique sensory profiles. Flicker as a structural tool interacting with brainwaves in a meditative state. A participatory practice. Memory, home-feeling, post-traumatic reclaiming, love.





Christian Kingo

Email: jegerkingo@gmail.com

Instagram: @kiokingo



  • An image of an abstract digital video.
  • An image of an abstract digital video.
  • An image of an abstract digital video.
  • An image of an abstract digital video.
  • An image of an abstract digital video.
  • An image of an abstract digital video.

DIAL (1-4-1), Video installation and sculpture, London Underground S stock electric train set, Bluetooth LED name tags, 3d printed oversized human ribcage (plastic), Fruit of the Loom classic hooded sweat (heather grey), Kiosk KX100 phone cover, JVC TM-A170G 17inch CRT colour monitor, DVD player, Hitachi CP-WU8440, 2 x QSC Active Speakers + Sub, OSB floorboard, Wood sheets & Black paint, 2022.

A lyrical ghost mourning a lost autonomy whilst offering no resolution, merely an aestheticised ectoplasm occupying the space between the architectural structures presented by the late night’s drum and bass.





Leonie Kellein

Email: leoniekellein@gmail.com

Instagram: @lon_secle



  • A photo of a multimedia installation which features animation, drone footage, black-and-white footage and sound.
  • A photo of a multimedia installation which features animation, drone footage, black-and-white footage and sound.
  • A photo of a multimedia installation which features animation, drone footage, black-and-white footage and sound.
  • A photo of a multimedia installation which features animation, drone footage, black-and-white footage and sound.
  • A photo of a multimedia installation which features animation, drone footage, black-and-white footage and sound.

Following aesthetics of early carrier pigeon photography ‘A wing beat! A wing beat! explores what it means to use a living creature as a technology.





A wing beat! A wing beat!, Animation, drone footage, black-and-white, 9 min, sound, 2022.

Extract from ‘A wing beat! A wing beat!. Following aesthetics of early carrier pigeon photography the work explores what it means to use a living creature as a technology.





  • Installation view of sculptures made from Thermoformed PET, laser pointer, UV print on acrylic and glue, situated in a Church, beneath a stained-glass window.
  • Installation view of sculptures made from Thermoformed PET, laser pointer, UV print on acrylic and glue, situated in a Church, beneath a stained-glass window.
  • Installation view of sculptures made from Thermoformed PET, laser pointer, UV print on acrylic and glue, situated in a Church, beneath a stained-glass window.

‘Note on the lesion’ pursues lived experience and brain disease as matter and as form. The work consists of different pillows in plastic, originally taken from where one of them now resides.





Philipp Ebeling

Email: mail@philippebeling.com

Website: www.philippebeling.com



An image of two people's faces.
Sync / Unsync, Two channel video and sound installation, 2022.





An image of two people's faces.
Sync / Unsync, Two channel video and sound installation, 2022.





Sync / Unsync, Two channel video and sound installation, 2022.

Lead by a performance of improv Jazz singer Maggie Nichols the piece explores physical strategies to process trauma through pendulating between tension and release.





James Carver



I AM NOT ME 


This MA programme is the hardest thing I’ve ever done.

I’ve been wondering what I’m doing and why I’m doing it.

I don’t have the answer.

It started as a reaction to me nearly dying due to a heart problem.

I wanted to do something purely creative.

Not influenced by commercial constraint.

I spent the first term trying to work out what I was interested in.

My Research Portfolio was a look at half a dozen different ideas.

Not an in depth analysis of one idea.

Truth and authenticity were central.

I decided to focus on a friend of mine.

She’s a Trans woman called Simone.

I thought I’d make a film about her for my degree show and that would be that.

I’d sit on the edge looking in.

Observing and recording what she was going through.

I’d be detached and distant and tell her story.

That was the original idea.

I started to spend a lot of time with Simone.

I explained what I wanted to do.

To film her in her workshop and at home.

Just being her.

That I was going to make a film about her.

Not a documentary.

Something else.

The more time I spent talking with Simone the more I realised that I was getting involved.

It wasn’t all about her.

I tried to understand what was going on but found it difficult.

Simone asked me why I chose her to film.

She asked me what I was getting out of it.

And what she might get out of it.

I kept talking with her and recording our conversations.

Sometimes they lasted for hours.

We talked a lot about what she was going through and the challenges she faced.

How she was being treated.

People were walking away from her.

The mother of her children left and started dating her best friend.

Her daughters missed their dad.

I felt myself getting drawn in to her life.

I took her to the interim show and she said she felt like we were on a date.

That I’d looked after her.

I’ve been trying to work out what’s been happening.

My relationship with Simone has shifted from just being a friend.

I spend more time talking to her about what she’s going through than anyone else.

We discuss gender and sexuality and her future.

She confides in me.

Sometimes we are both crying.





A portrait photograph of a person with blond hair and glasses.