Category: MFA Fine Art

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Haoqiao Jiang

Email: haoqiaojiang@126.com

Website: haoqiaojiang.com



Get Under the Cover and Hide, Video, 2022.

This video explores the relationship between me and my mom after the separation from my country and my mom.





  • An image of three white blinds with touristic images of Chinese monuments printed onto them.
    Blinds, Blinds, poster paper, mirror-face paper, 2021.
  • An image of three white blinds with touristic images of Chinese monuments printed onto them.
    Blinds, Blinds, poster paper, mirror-face paper, 2021.
  • An image of three white blinds with touristic images of Chinese monuments printed onto them.
    Blinds, Blinds, poster paper, mirror-face paper, 2021.
  • An image of three white blinds with touristic images of Chinese monuments printed onto them.
    Blinds, Blinds, poster paper, mirror-face paper, 2021.
  • An image of three white blinds with touristic images of Chinese monuments printed onto them.
    Blinds, Blinds, poster paper, mirror-face paper, 2021.

Three blinds were remodified with found made-in-China images and mirror surface on their two sides.





  • Shots of an installation featuring several rocks in a white space.
    ShuiDiShiChuan, Brick soaps, pigments, plastic case, iron wire, water pipe, water faucet, 2021.
  • Shots of an installation featuring several rocks in a white space.
    ShuiDiShiChuan, Brick soaps, pigments, plastic case, iron wire, water pipe, water faucet, 2021.
  • Shots of an installation featuring several rocks in a white space.
    ShuiDiShiChuan, Brick soaps, pigments, plastic case, iron wire, water pipe, water faucet, 2021.
  • Shots of an installation featuring several rocks in a white space.
    ShuiDiShiChuan, Brick soaps, pigments, plastic case, iron wire, water pipe, water faucet, 2021.

ShuiDIShiChuan is a Chinese idiom, directly translated as that “rocks penetrated by water drops”, normally referring to “constant efforts would bring success”.





Posted on

Piotr Grabowski

Email: p@grbwsk.pl

Instagram: @p.grbwsk







  • A close up image of objects, making them unidentifiable.
    Shivering Muscles, Photography, 2022.
  • A close up image of objects, making them unidentifiable.
    Shivering Muscles, Photography, 2022.
  • A close up image of objects, making them unidentifiable.
    Shivering Muscles, Photography, 2022.
  • A close up image of objects, making them unidentifiable.
    Shivering Muscles, Photography, 2022.
  • A close up image of objects, making them unidentifiable.
    Shivering Muscles, Photography, 2022.





  • An abstract metal sculpture.
    Memory Foam, steel, wood, perspex, paper, fabric, silicone, foam, PLA, 2021.
  • An abstract metal, wood and glass sculpture.
    Memory Foam, steel, wood, perspex, paper, fabric, silicone, foam, PLA, 2021.
  • A box of tissues on a floor.
    Memory Foam, steel, wood, perspex, paper, fabric, silicone, foam, PLA, 2021.
  • The blue soles of two shoes.
    Memory Foam, steel, wood, perspex, paper, fabric, silicone, foam, PLA, 2021.
  • An abstract metal sculpture in the shape of an arrow.
    Memory Foam, steel, wood, perspex, paper, fabric, silicone, foam, PLA, 2021.





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Ali Glover

Instagramm: @aliglover__

Website: aliglover.com



  • a photo of an institutional panel ceiling, with one panel replace by a black square.
    proposition 42, Mild Steel (laser cut and engraved), 2021.
  • a photo of an institutional panel ceiling, with one panel replace by a black square.
    proposition 42, Mild Steel (laser cut and engraved), 2021.





The Earth moves away from the Moon at the raste your fingernails grow and… I’ll just wait.

An audio piece responding sonically to textual descriptions of the Clifton Suspension Bridge in Bristol. It was commissioned for a podcast by Caraboo Projects (to be released in March 2022) in tandem with research of Harsha Balasubramanian.





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Yuchen Ge

Email: geyuchen@yahoo.com

Instagram: @amy_ge_



A painting of two people - one with a rabid head - surrounded by toys.
Delft Blue, Oil on Canvas, 2022.

All that happened in Delft blue is a Arnolfini cabinet.





An image of two women and a baby near a tree.
The Bakery on the Border, Oil on Canvas, 2022.

): ‘what is the hydrated?’ ‘- yes this is my son.’





An oil painting of three girls in blue dresses.
What To Be Told, Oil on Canvas, 2022.

To tell a story, or not to tell a story, that is the question.





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Juliette Gampert

Email: juliettegamps@gmail.com

Website: www.juliettegampert.com



  • An image of a figure in a costume in a dark room.
    Des algues pour racines, sound and video installation + performance, 2021. Credit: Eden Leviam.
  • An image of a figure in a costume in a dark room.
    Des algues pour racines, sound and video installation + performance, 2021. Credit: Eden Leviam.
  • An image of a figure in a costume in a dark room.
    Des algues pour racines, sound and video installation + performance, 2021. Credit: Eden Leviam.
  • An image of a figure in a costume in a dark room.
    Des algues pour racines, sound and video installation + performance, 2021. Credit: Eden Leviam.

An embodied exploration of the archetype of water as an energy to guide the movements of a danced improvisation, that expresses the idea of hybridity, displacement, uprooting, constant flux, and therefore illustrating the experience of my own identity research.





Oshun’s Honey Flow, video, 2020. Credits: Jess Baddie, Mama Blazzaz, Racquel Monteith and Sammie Jo Jackson.

A research on ancestral data as imprinted in diasporic bodies, that celebrates the cross- Atlantic interrelations between Oshun (Yoruba Orisha of love, femininity and sensuality), the Jamaican legends of River Mumas, along with dancehall culture and its female dance moves.





An image of a person dancing and a person sitting and reading. The whole room is covered in a projection of a video of a black and white beach.
Ackee & saltfish Medium, performance, 2019. Credits : ®Alicia Dubuis. 

Work inspired from readings of Paul Gilroy and Stuart Hall, along with diasporic longing. The poetry is read by my grandmother, and names dancehall steps that I perform. An ode to our conversations around the Jamaican national dish she cooks for me. 





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