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Juliette Gampert

Email: juliettegamps@gmail.com

Website: www.juliettegampert.com



  • An image of a figure in a costume in a dark room.
    Des algues pour racines, sound and video installation + performance, 2021. Credit: Eden Leviam.
  • An image of a figure in a costume in a dark room.
    Des algues pour racines, sound and video installation + performance, 2021. Credit: Eden Leviam.
  • An image of a figure in a costume in a dark room.
    Des algues pour racines, sound and video installation + performance, 2021. Credit: Eden Leviam.
  • An image of a figure in a costume in a dark room.
    Des algues pour racines, sound and video installation + performance, 2021. Credit: Eden Leviam.

An embodied exploration of the archetype of water as an energy to guide the movements of a danced improvisation, that expresses the idea of hybridity, displacement, uprooting, constant flux, and therefore illustrating the experience of my own identity research.





Oshun’s Honey Flow, video, 2020. Credits: Jess Baddie, Mama Blazzaz, Racquel Monteith and Sammie Jo Jackson.

A research on ancestral data as imprinted in diasporic bodies, that celebrates the cross- Atlantic interrelations between Oshun (Yoruba Orisha of love, femininity and sensuality), the Jamaican legends of River Mumas, along with dancehall culture and its female dance moves.





An image of a person dancing and a person sitting and reading. The whole room is covered in a projection of a video of a black and white beach.
Ackee & saltfish Medium, performance, 2019. Credits : ®Alicia Dubuis. 

Work inspired from readings of Paul Gilroy and Stuart Hall, along with diasporic longing. The poetry is read by my grandmother, and names dancehall steps that I perform. An ode to our conversations around the Jamaican national dish she cooks for me. 





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