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Goldsmiths satire on a Victory Dinner- 1924 and the League of Nations

Christmas postcard designed by Goldsmiths Art School student Eric Fraser celebrating the purpose of the League of Nations in circa 1924. Image: Goldsmiths, University of London Archives.

When Goldsmiths’ College decided to host a Victory Dinner in 1924 as an act of remembrance for the Great War of 1914-18, those who had lived through it embraced the occasion with gentle satire.

The Victory Menu for 15th November, four days after Armistice Day, was designed to mock the forms and documents that had been turning education in the post war period into a bureaucracy.

It became ‘Circular 1311’, and ‘Form 99 Pen T.’

Victory Menu for dinner at Goldsmiths 15th November 1924. Image: Goldsmiths, University of London Archives.

There was choice of the main dish: ‘Pensioned Dover Soles, Fried- according to Form 60, Act 1918,’ or ‘Super Saddle of Annuation Mutton with Board of Education Jelly.’

For a side order, the following was on offer and something of a limited choice: ‘Dished – Whitehall Potatoes and Caulage Flower with Raymont sauce.’

The reference to ‘Raymont’ was the name of the second Warden of the college Professor Tommy Raymont.

For dessert, another choice on the menu:

‘Tart of Apples, From the Tree of Knowledge with cream that Nestlés bonny babies

Fruits of the Warden’s Victory

Gorgonzola with Odour of Sanctity

Coffee, Black, White or Red-Tape’

The menu is tailed off with ‘Dainty Drinks and Glorious Gargles as served to the law officers of the Treasury. Each teacher’s pink form should be filled with the above before Superannuation.’

It is the signatures on the other side of the menu that makes this event rather resonant and poignant.

The autographs are by ‘lost to history’ figures in the story of Goldsmiths: F H Cecil Brock, Harry E. J. Curzon, Frederick Marriott, Arthur H R Huggett, Edwin S F Ridout, Joseph Kay, and Graham T. White.

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Frederick Marriott- the first headmaster of Goldsmiths’ Art School from 1891 to 1925

Rue Gubernatis, Nice, Etching by Frederick Marriott. Image: Goldsmiths Art Collection.

It is not widely known that the teaching of Art at Goldsmiths predates the beginning of the life of the College as part of the University of London in 1905.

‘Studio’ Magazine profiled the Goldsmiths’ College Art School in 1918 and described Marriott as ‘the well-known painter, gesso-worker, and engraver.

The Art School started with the creation of the Goldsmiths Company’s Technical and Recreative Institute in 1891, and its first head teacher was an artist friend of the famous writer Arnold Bennett.

Like Bennett, Frederick Marriott was born in the potteries in Stoke on Trent in 1860.

His father was an engine fitter.

He became a respected painter and etcher of landscapes, architectural subjects and portraits.

He lived most of his life, like many other Goldsmiths’ artists and teachers, in Chelsea.

His address for nearly 40 years was 6A Netherton Grove, Chelsea, a quiet road bordering St Stephen’s hospital, entered and exited only by the Fulham Road,  and a stone’s throw from the working class slum terraces of Slaidburn Street and the World’s End.

Venice by Night, a colour etching by Frederick Marriott. Image: Barewall Studio.

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