Primary page content

More than just a name- the lives of Goldsmiths staff and students killed in the First World War

Goldsmiths War Memorial in the entrance lobby of the Richard Hoggart Main building. It only commemorates the names of staff and students killing during the First World War. Image: Tim Crook.

The wooden panel in the reception area of the Richard Hoggart Main building of Goldsmiths ‘They Died For Freedom and Honour’ commemorates staff and students killed during the Great War of 1914-18.

The University has no memorial with those named as having been killed during the Second World War, who are believed to number about fifty.

The Goldsmiths History Project is researching and intending to publish an online commemoration to remedy this omission.

The original panel commissioned and unveiled in 1920 was specifically for those killed in World War One and used to have a bronze wreath which was set behind a bronze statuette featuring St George killing the Dragon.

The bronze statuette was modelled by the artist and sculptor John Skeaping (1901-1980) who was the first husband of the sculptor Barbara Hepworth and became professor of sculpture at the Royal College Art between 1953 and 1959.

The wooden panel was designed by Amor Fenn, the design lecturer and later a headmaster of the Art School of Goldsmiths’ College .

The monument and its bronze accompaniments graced the College’s dining hall up until the outbreak of  World War Two in 1939.

Image: Goldsmiths Special Collections.

After the resurrection of the College following all of the blitz bombing and fires of the 1939-45 conflict, the memorial was repurposed.

The wreath and St George and the dragon decorations were removed. ‘To the memory of those of the Goldsmiths College who died in the Great European War 1914-1919’ would be replaced with ‘To the memory of  those of Goldsmiths College who died in the two wars 1914-1918 1939-45.’

The bronze commemorations of wreath and St George killing the Dragon statuette modelled by School of Art student John Skeaping which are no longer present with the World War One memorial tablet. Image: Goldsmiths Special Collections.

This posting seeks to ensure those who who died and were killed during active service between 1914-1919 are more than just names carved in wood.

As with the special research undertaken and written about the New Cross Road V2 tragedy of 25th November 1944, the lives of these individuals, their family heritage, and their contribution to human society are to be given more space with the open ended invitation to descendants to contribute any images and information to enhance their biographical profiles.

During the First World War nearly 100 students in the Training Department of Goldsmiths’ College, University of London enlisted before completing their courses.

About 600 Old ‘Smiths were known to be on active service throughout the war. Decorations included 1 D.S.O., 11 Military Crosses, 13 Military Medals, 5 D.C.M.s, 2 Croix de Guerres, and 10 Mentioned in Despatches.

Two members of the Training Department teaching staff, Captain W. Loring and Lieut. W. T. Young, one teacher in the Art School, Leading Seaman S. Dadd, one member of the office staff, W.A. Jolly, 92 Training Department students and 11 from the Evening and Art Department were killed.

No 3 Platoon, A Company, 20th London Regiment. The Officers’ Training Corps (OTC) Goldsmiths’ College, University of London in 1915. All of the young men in this photograph served during the Great War. This photograph includes the faces of many students who would be wounded and killed while on active service. Image: Goldsmiths Special Collections.

Where the information was available at the time of carving, the wooden panel provided a name, year reference to when they were at Goldsmiths as students, and the regiment and armed service they were enlisted with.

This history is based on humanitarian imperatives with the academic discipline of placing the information researched and documents quoted from in terms of their cultural context.

Detailed reading soon elucidates the shocking fact that many of the casualties have no known grave. They are only names carved on memorials all around the world.

This means their bodies were either destroyed or so badly damaged by the modern munitions of war, they could not be and were not identified.   

It was the custom for British service people to be buried or commemorated where they died and there was no policy of repatriation.

Every death is associated with profound grieving that moves through generations and in respect of many families still resonates today.

To provide just one example, Edwin and Harriett Brown of 14 Haggard Road Twickenham had two sons – Benjamin William and Walter James – who both studied and trained to be teachers at Goldsmiths’ College and who were both killed while on active service during the Great War conflict.

These facts offer an emotional and humanitarian dimension which provides a powerful and meaningful history beyond the elegant carving of their names on the memorial.

The vast majority of fatal casualties were professional teachers trained at Goldsmiths’ College who went to war and did not come back.

It will become apparent from the developing detailed profiles that unlike World War One memorial lists for Oxford and Cambridge University Colleges, most of the Goldsmiths’ College alumni were serving in what is known as ‘The Other Ranks’ or ‘ORs.’   

They were privates or non-commissioned officers such as corporals and sergeants.

They were not officers though certainly their education and professional leadership qualities qualified them. This is most likely a manifestation of the class system in British society at the time.

The commissioning of ‘officers and gentleman’ was biased in favour of the Public Schools such as Eton, Marlborough, Rugby, Wellington etc. (in Britain actually high profile private schools).

Goldsmiths’ College was established primarily to recruit, train and increase the number of qualified teachers for the state education sector; mainly elementary schools teaching pupils up to the age of 13.

Children could leave school at the age of 12 if local by-laws permitted this as the school-leaving age was not increased to 14 until the 1918 ‘Fisher’ Education Act. 

The 1902 Education Act meant that local authorities were substantially taking over the role of  funding, running and managing schools in towns, cities and rural areas.

Most of the Goldsmiths’ College students for the ‘Training Department’ were drawn from the working and lower middle classes. 

They were being sponsored by County Councils who needed qualified teachers for the schools they were now opening and running.

Many had been ‘pupil teachers’ effectively working as assistant schoolteachers and being paid between the ages of 13 and 18 because of their academic prowess. Consequently, it will be apparent that mature and well-educated young men graduating from Goldsmiths’ College served in the armed forces in the lower ranks, and this even included a Head Teacher of a school in the Midlands.

In the early years of Goldsmiths’ College, and this included those who served and lived through the First World War, many students with working-class backgrounds had to be given special dental and optical treatment because of their poor health.

The College matron and doctor also observed the effects of malnutrition from their childhood.

It will also be apparent that Goldsmiths’ College maintained records of the war service of their men students only.

They did not do so for their women students; some of whom it can be assumed volunteered for the military nursing services.

It is also possible that Goldsmiths women alumni could have been working in munitions, intelligence and many associated war-related employment fields.

There is no evidence that any Goldsmiths’ College women students died as a direct result of the First World War, but the possibility cannot be excluded.

The Goldsmiths’ College Old Students Association, however, did pay tribute to alumni Dora Emma Gardiner who qualified as a teacher having completed the two year course between 1907 and 1909.

By 1911 she was working as a Teacher Matron in the Walker Memorial Home Orphanage in Chepstow Monmouthshire.

Dora was born in Richmond, Surrey 1st April 1888 and was the daughter of a solicitor.

Dora had a distinguished service in Queen Alexandra’s Imperial Military Nursing Corps working in hospitals on the Western Front during the First World War.

Queen Alexandra’s Imperial Military Nurses circa 1914. Image: National Army Museum. Public domain.

As a nursing Sister she had the equivalent rank of Lieutenant and in 1916-17 was stationed at the Anglo-French Hospital, Chateau D’Annel, Longueil D’Annel, Oise, in France which provided care and treatment to soldiers with acute battlefield wounds and injuries.

The Anglo-French Hospital in Chateau D’Annel, Longueil D’Annel, Oise during the First World War. CC BY-SA 4.0

Dora received the British War Medal, Victory Medal and Queen Alexandra’s Imperial Military Nursing Service Badge and would continue her nursing career for the rest of her life.

She passed away in 1967 at the age of 78.

There was a First World War Blitz in London and other parts of Britain from Zeppelins and the first Gotha long-range bombers though the casualties were less than two thousand.

The final death toll for the war reached 1,413, according to official statistics published in January 1919.

It is not widely known that by the autumn of 1917, 86 London Underground stations had been made available as public shelters. At one time the number of civilians taking shelter in the Tube reached a peak of 300,000.

The Underworld: Taking cover in a Tube Station during a London air raid in 1918 (Art.IWM ART 935) image: A scene of civilians, predominantly women and children, sheltering in Elephant and Castle tube station. Some civilians sit on the platform seating, whilst others sit or lie on the platform itself. On the wall behind are a few C R W Nevinson posters. Copyright: © IWM. Original Source.

There is certainly one dramatic account of a German Zeppelin dropping low over the playing fields behind the Goldsmiths main building and woman Vice-President Caroline Graveson shouting to her students gathering to marvel at the sight to take cover.

Evocative British World War One recruitment poster illustrating the menace and terror of Zeppelin air-raids on London. Image: US Library of Congress. No known restrictions and public domain.

The Goldsmiths’ College grounds were allocated for allotment and market gardening purposes and there is evidence that Goldsmiths women students did form and participate in a Great War Land Army group.

Kathleen Porter did teacher training at Goldsmiths’ College between 1917 and 1919 and kept a scrapbook with photographs of her time there. She and her family donated it to the University’s Special Collections.

It contains a remarkable image of women students residing at Clyde Hostel in Lewisham and how they prepared for air-raid nights in the basement of the building between 1917-18.

Air Raid Take Cover. Photograph in scrapbook kept by Goldsmiths’ alumni Kathleen Porter. Image: Goldsmiths Special Collections.

Kathleen annotated this photograph with the words: ‘Air Raid! Take Cover!! “Oh memories that bless and burn.” Basement nights! Shrapnel shrieks!! Impromptu Concerts!!! Somnolent snores amid sonorous sound!!!! Hot Tom and Mary Biscuits! Crackers and curls!! Bursting bombs and language that just missed being Lurid!!!!!!!!!!! All Clear.’

It was inevitable that there would be more women students at Goldsmiths during the Great War years. Student hostels previously provided for men would be occupied by women. This was the case with Grove Hostel in Greenwich.

There is some poignancy in the image of ‘Juniors’ and ‘Seniors’ or first and second year women students, below at Grove Hostel in 1917. Some of them appear to be wearing what can be identified as ‘Sweetheart brooches.’

These could include miniature replicas of the badges of military regiments, naval units, the Royal Flying Corps and the RAF. They were called sweetheart brooches because they were often given as romantic keepsakes by members of the armed forces to their wives, sisters and girlfriends before they left for the front.  

They were received as gifts, love tokens or symbols to display the message that a relative and loved one was ‘doing their bit.’  They were also worn as badges and symbols of mourning. 

Image: Goldsmiths Special Collections. Seniors and Juniors in July 1917 at Grove Hostel where the warden was Mrs White, the wife of music lecturer Dr. White. Their shaggy dog is lying on the ground far left.

Detailed army records for all of the Goldsmiths’ College casualties are not available for historical research because most were destroyed when a government building in Walworth was bombed and caught fire during the Second World War Blitz of 1940.

However, some have survived and the paperwork can be most poignant when, for example, it reveals a grieving mother only realised that her son was entitled to the 1914-15 star which she receives in 1947 after writing to the War Office.

On another occasion the Colonel of a Lancashire Regiment in Preston writes a letter of apology to a grieving father because they had inadvertently sent the family the belongings and effects of another dead soldier by mistake.

It is not clear if they ever located those belonging to the Goldsmiths alumni who had fallen in battle.

[This posting is work in progress and each entry will be developed and added to with more research and the contribution of information by families and relatives.]

One of the challenges in the research is that early records of male students in the teacher Training Department have not survived and no records of enrolment in the Art School were archived.

The custom of the time for people to be addressed by the initials of their forenames limits effective triangulation for identification.

Consequently, the identity of I or F Spencer 1912-13 is still being researched; largely because there were multiple casualties for these names and initials during the First World War.

Those keeping records at the time were as prone to human error as people are today.

One Goldsmiths’ College student was recorded and commemorated as having been killed in action when this certainly was not the case. Lieutenant Kingsley Fox Veasey married, became a head teacher and lived for 77 years until 1967. 

And there are a few officers listed as affiliated to Goldsmiths’ College on the University of London Roll of Honour for 1914-19 who are missing from the panel. They include science graduate Second Lieutenant Frederick George Benjamin Gardner who was killed on the Somme 25th-26th July 1916, Second Lieutenant Frederick Hogben, killed at Le Trans-loy in France on 23rd October 1916, and Second Lieutenant Richard Howard Webb who died from his wounds in France on 10th October 1916. 

Their biographies and profile are being developed and included. 

Where there are student records surviving, the information can be prosaic and intriguing.

Data protection law nowadays would not allow historians of one hundred years or more into the future to learn that a ‘War Hero’ was poor at maths or history when passing their first year exams. 

Where will future historians ever learn that a student teacher from Leicestershire, far from home in the world of 1912 to 1914, had boarded with a Mrs Packham in Brockley during his time studying at New Cross? 

All this information was written down in copper-plated hand and fountain pen in a large cloth-bound book.

We are able to see the house as it is today. A three storey Victorian terrace with basement, and really not looking that much different on the outside to what it was like 112 years ago.

We can even determine that the Goldsmiths’ College student, Arthur Emmerson, who would die in 1917 as an artillery plane spotter for the Royal Flying Corps when his rickety single engined biplane made of string, wire and wood was shot down on the Western Front in France, had been looked after by Mrs Harriet Packham.

She was 49 years old and married to Mr George D’Arey Packham who was a head porter at the Post Office.

Arthur was staying with a large family, for the Packhams had five daughters.

There was 25 year old Florence who was working as a telephonist at the Post Office, 20 year old Gladys who did not appear to be in work at the time of the 1911 census, and 18 year old Kathleen D’Arey who was working as a shop assistant.

Winifred Charlotte D’Arey Packham was 14 years old and still at school, which means she must have been good at her studies, and Dorothy D’Arey Packham who was 11 and also still at school.

The Packham family must have been so sad and grieving in their own way if and when they had heard of the death of the young man who had been staying with them in one of the rooms of 29 Endwell Road in 1914.

He was there on 11th February 1914 because that was when the College clerk had checked the accommodation arrangements and term-time address. 

Perhaps we can surmise that the board and lodgings provided to Goldsmiths’ College students was one of the ways the Packham family made ends meet, or perhaps contributed to paying off the mortgage on the house. 

This is the minutiae of social history and a humanitarian history which brings to life and makes tangible the lives of those Goldsmiths’ College staff and students from that time who had been teaching and learning in the same buildings and grounds used today. 

Read More »

Goldsmiths’ first Warden- ‘He died a gentleman and soldier’ and his last letters from Gallipoli

Goldsmiths’ first Warden standing middle among male lecturers 1905. Vice-Principal for men students Professor Thomas Raymont is seated centre bearing the thick bushy moustache. Image: Goldsmiths, University of London

One of the most poignant and moving documents in Goldsmiths, University of London’s Special Collections is the last letter Goldsmiths’ first Warden William Loring (1865-1915) wrote to his family.

He was about to have his leg amputated because it had developed gangrene after being shattered by a Turkish sniper bullet during front line operations at Gallipoli in October 1915.

He was so weak he dictated his last words to an officer in an adjoining bed:

‘Hospital Ship, 24th October 1915

Dearest Theo,

It has just been sprung upon me that I must have my leg off- to avoid danger to life. The operation is not dangerous- the wound itself having been the shock to the system and comparatively little remaining to be done.

I hope to wire long before you get this letter that all is well.  I expect I shall be taken to Alexandria and then sent very soon to England, possibly even I may be sent to England direct from Lemnos.

Dearest, dearest love to you.

Much love and many kisses to the dear boy. Your Loving W.L.’ [It looks like the weak and shaky hand of William Loring wrote the ‘W.L.’ at the bottom of the page as this handwriting is different from the rest.]

The handwritten letter dictated by William Loring to Major Morton in an adjoining bed on the Hospital ship Devanha. Image: Goldsmiths Special Collections.

The army officer who wrote down William Loring’s last words to his family, Major Morton, also wrote a touching letter to Loring’s wife giving her more news about what was happening and seeking to reassure her. He had no idea that Captain Loring would succumb to gas gangrene on the same day.

‘H.M. Hospital Ship Devanha. Sunday 24th October 1915.

Dear Mrs Loring,

I trust you will forgive me the liberty I am taking in writing to you, but I am in the next bed to your husband on board this ship. I had the pleasure of taking down a letter from him to you just after the medical officer had told him it was the best they could do to take off his leg.

He has just returned from the operating theatre and is recovering from the anaesthetic and is I am sure going on well.

The shock has been great to him, but he is awfully plucky and sticking it so well. I am certain he will be all right and hope I shall be able to accompany him to England and do something for him as I shall have my operation before I get home.

I expect we shall go onto Alexandria almost at once and I will see that a cable is sent you reporting your husband’s condition.

Again apologies for the liberty taken and assuring you I shall always be willing to do anything in my power for you and Captain Loring.

Yours sincerely R.B. Morton. (Major Army Service Corps)’

[Major Morton would be promoted to Lieutenant Colonel and died while on active service 10th February 1919 and is buried in St. Peter’s Churchyard, Earley near Reading.]

Major Morton’s handwritten letter to Mrs Loring hoping to give her reassurance about the operation to remove her husband’s leg in an emergency operation on 24th October 1914. Image: Goldsmiths Special Collections.

Captain William Loring died soon after the operation. He would be buried at sea.

His name is inscribed on panel 21 of the Helles memorial in Turkey.

His widow and young son would receive a telegram notifying them of his death at their home in Blackheath and another expressing the condolences and sympathy of the King and Queen from Buckingham Palace.

’31st October 1915. To Mrs Loring, Allerton House, Blackheath.  I regret to inform you Captain W. Loring died of wounds 24 October. Lord Kitchener expresses his sympathy.’

Image: Goldsmiths Special Collections.

‘From: On Her Majesty’s Service, Buckingham Palace, 5 November 1915. 

To: Mrs Loring, Allerton House, Blackheath. The King and Queen deeply regret the loss you and the army have sustained by the death of your husband in the service of his country. Their Majesties truly sympathise.’

Image: Goldsmiths Special Collections.

Herbert Rosher, the Church of England chaplain on the Hospital Ship wrote to Mrs Loring:

‘Everything was done for his comfort and relief by the doctors and sisters, and in brief chats I had with him in my rounds I was filled with admiration for his Christian courage.

I of course offered him the Sacrament and he said he would like to receive it if he got any worse – and had he lived he would have communicated on the Monday morning (to-day) – when we laid him to rest – but he passed away far more quickly than the doctors had anticipated.’

Nurse (Sister) Kathleen J Cooney wrote to Mrs Loring:

‘After he came round from the anaesthetic he was quite cheerful and happy about himself, and even about five minutes before he died asked me how long it would be before he would be hopping around and if it would not be much sooner than if he had not had the amputation. A minute or so after he became unconscious and just passed peacefully away.’

-o-

What makes William Loring so special in the history of British universities is that he was the only effective chief executive and university chief who volunteered for front line military action during the Great War and did not return.

He not only laid the college’s key foundations for academic excellence and educational leadership, but was an incredibly courageous soldier who gave his life  for his country at the age of 50 during the Gallipoli campaign.

He was a decorated warrior having served valiantly in the second Boer War of 1899-1902. 

As Warden he oversaw the convening and development of an officer cadet force at the College, and enthusiastically rejoined his Regiment, The Scottish Horse, on the outbreak of the First World War.

No other university chief in Britain would  be grievously wounded in front line action in the ill-fated invasion of Turkey, die from his wounds on a hospital ship, and be buried at sea in the Aegean. Read More »

The V2 Woolworths rocket bomb disaster 25th November 1944

National Fire Service people and Heavy and Light Civil Defence rescue squads search for survivors of a V2 rocket bomb on London during the autumn of 1944. Image: War Illustrated.

A V2 rocket bomb which descended from the sky on the Woolworths and Co-op stores in the New Cross Road Saturday lunch-time 25th November 1944 became the most devastating Home Front disaster caused by the world’s first long-range guided ballistic missile.

New Cross experienced mass destruction of buildings and human life.

This catastrophic event happened a stone’s throw from Deptford Town Hall, now an important building used for teaching by Goldsmiths, University of London.

The people’s history dimension of this event is more bound up with the history of Goldsmiths than has hitherto been fully realised.

Goldsmiths now owns the site of the former St James’s Church, which has been converted into gallery and teaching spaces and is part of the memorial and human geography of what happened in the Second World War.

It has not been fully appreciated that people died in the buildings now used as teaching spaces by Goldsmiths such as 286 and 288 New Cross Road. These buildings along with the neighbouring Deptford Town Hall were badly damaged in the blast.

All windows and doors at the front had been blown in. 288 New Cross Road was being used as a ration book issuing office and was busy on the day. Post office sorting was being done behind and people working there were seriously injured.

The other buildings on the corner of New Cross Road and St James’s- numbers 280 to 284 New Cross Road- were completely destroyed and everyone in them either killed or injured.  The prefabricated single storey buildings erected in their place in the late 1940s have continued to be used as Goldsmiths teaching rooms.

The V2 tragedy is an important historical Goldsmiths event and I believe we have a duty to recognise, respect and give commemoration to the people who died on our campus, as well as all the survivors and rescuers.

Goldsmiths is unique in being the site of impact for each of the Nazi vengeance weapons launched against Britain in 1944- the V1 rocket killing two members of the RAF barrage balloon unit on what is now the College Green on Monday 26th June 1944 and the V2 rocket killing 168 people on Saturday 25th November 1944.

As far as I have been able to establish no other university location in the UK has had the misfortune to have been hit by both V1 and V2 rockets in the World War Two conflict and with so many fatal casualties.

-o-

Image courtesy of  the Woolworths Museum.

-o-

This significant historical image above shows the rescue and salvage operation on the Woolworths site in the New Cross Road 26th November 1944- less than 24 hours after the V2 rocket struck.

A heavy crane, National Fire Service, ARP heavy and light rescue units are all present. The Woolworths store has been pancaked. Half of the Royal Arsenal Co-operative store is demolished. Neighbouring houses in Goodwood Road have been destroyed and wrecked.

There is so much destruction people can now see the Childeric School in the distance where generations of Goldsmiths’ College students did their teaching practice. The photograph’s perspective is from the corner of St James’s and New Cross Road where buildings with people working in them, including Clamp & Son auctioneers have been completely destroyed.

-o-

The founder of the League of Coloured Peoples, Dr Harold Moody, would have taken part in the rescue and saving lives operation. He was in the network of emergency medics drawn from local GP surgeries and hospitals. The historian Stephen Bourne in Under Fire: Black Britain in Wartime 1939-45 published by the History Press in 2020 wrote:

‘On Saturday, 25 Novmber 1944, Dr Harold Moody left his surgery in Queen’s Road, Peckham, to attend the aftermath of a V-2 rocket incident in New Cross Road. This was in the very heart of working-class Deptford in south-east London. It wasn’t far from where 168 people were killed and more than 120 were seriously injured, mainly mothers and their children who were among the Christmas shopping crowds’ (Bourne, 190, 2020).

Stephen Bourne explained: ‘Dr Moody attended as part of a team called in from the surrounding area. They struggled night and day amidst the chaos and carnage to bring comfort to the survivors’ (ibid).

Bronze bust of Harold Moody by Ronald Moody, National Portrait Gallery, London. By 14GTROwn work CC BY-SA 4.0

121 people had been seriously injured and needed treatment among the rubble.

The wreckage area covered a wide expanse of the junction between  St James’s, New Cross and Goodwood Roads.  Woolworths had been obliterated along with half of the neighbouring Co-op store.

The office buildings on the corner of St James’s Road and New Cross Roads were also destroyed and the prefabricated 1940s style single story blocks which replaced them and now used by Goldsmiths are evidence of devastation wrought on this side of the explosion.

There is also strong evidence that there was another Black doctor practicing in the area and giving his medical services to the victims of the V2 strike.

In the 1994 publication Rations and Rubble: Remembering Woolworths The New Cross V2 Disaster Saturday 25th November 1944 there is an account by Patricia Blay who was 14 years old and working in the post office of the Co-operative Store next door to Woolworths.

She survived the blast and recalled: ‘We lived in Childeric Road and my mum came looking for me. She came round the front and they were laying the people out in the street that were dead. She went searching for me like mad but couldn’t find [me]. The doctor on the corner came out and sent to the army where my dad was and got him sent home on leave. That was Dr Chundun, the first black doctor that we’d ever seen […]  he was very nice’ (Steele, 1994, 24).

Dr Walter Chundun would have performed a very active role in emergency medical assistance to the victims of the disaster. He was a serving Captain in the Royal Army Medical Corps having been first commissioned as a lieutenant in April 1940 with promotion the following year. Dr Chundun practiced at 12 Clifton Rise (east side) New Cross and 102 Foxbury Road Brockley up until 1981. He demobilised from the British Army in 1946 with the rank of honorary captain in the RAMC.

Dr Chundun was born in what was then Dutch Guiana (now Suriname) on 16th November 1906 and travelled from British Guiana (now Guyuna) to study medicine in Scotland where he qualified in 1937  as a licensed doctor of the Royal College of Physicians of Edinburgh, Royal College of Surgeons of Edinburgh and the Royal Faculty of Physicians and Surgeons of Glasgow.

Both the Scotsman and Edinburgh Evening News papers described these as ‘Triple qualification successes’ in their editions of 28th October 1937.

One of the hero doctors attending the victims of the Woolworths V2 disaster- Dr Walter Chundun features in this group photograph of the Royal Infirmary of Edinburgh, summer 1935. He is standing fourth from left second row from the front. He was then a 29 year-old medical student before qualifying in 1937. Archive photograph by very kind permission of the Royal College of Physicians of Edinburgh.

Dr Chundun married Sheila A Deakin in Marylebone in 1965 and took British citizenship in 1967. He would have been a witness to the ‘Battle of Lewisham’ on Saturday 13th August 1977 when hundreds of far-right National Front activists tried to march from New Cross to Lewisham but were challenged by thousands of counter-demonstrators.

Violent clashes between the two groups and police took place on Clifton Rise and a plaque was erected on the corner with New Cross Road in 2017 to mark the 40th anniversary of the event.  Dr Chundun passed away in Greenwich in 1994 where he had been a director of the Shooters Hill Residents Association with the address of 63 Shooters Hill Road.

Heroism was also in abundance throughout the Second World War on the part of founder member of the League of Coloured Peoples and decorated Trinidad born Great War veteran George Arthur Roberts.

George Arthur Roberts BEM MSM (1891-1970) Great War veteran, Leading Fireman WW2 and educator. Image: By Figures CC BY-SA 4.0

Between 1939 and 1945 he was a leading fireman at New Cross fire station and attended four bombing attacks and fires at Goldsmiths which devastated the building and left the swimming pool turned mortuary a roofless and blackened shell in May 1945.

Crews and appliances from his New Cross station would have been the first on the scene of the Woolworths disaster on Saturday 25th November 1944. Stephen Bourne wrote: ‘It is likely that George A. Roberts, the Trinidad-born fireman based as nearby New Cross Fire Station, would have attended the scene also (Bourne, 190, 2020).

George would be awarded an MBE recognising his pioneering discussion and education groups in the fire service.

Much has been written about an event which tore the heart out of the local community; largely because so many women and children died. Norman Longmate in his book Hitler’s Rockets: The Story of the V2s devotes pages 207 to 212 to a detailed description and analysis along with eye-witness accounts.

After WW2 Deptford Borough Council set about rebuilding on the site of the Woolworths tragedy and by 1960 the building now standing was fully constructed enabling Woolworths to return to the New Cross Road and with the provision of two storey maisonettes for council tenants above. Image: Goldsmiths History Project

In 1994 there was a major project on the part of Deptford History Group and local organisations to fully commemorate what had happened fifty years before. An exhibition in the New Cross Library, public meetings, the unveiling of the Lewisham Borough Council plaque, and publication of the 55 page book Rations and Rubble: Remembering Woolworths The New Cross V2 Disaster Saturday 25th November 1944, edited by Jess Steele provided an outstanding commemoration to those who died and tribute to those who took part in the rescue operation.

 

Lewisham Council Local History and Archives Centre has provided a list of the details of those who died and could be identified. At present it does not include all of the 168 cited in the street memorials said to have been killed. This ongoing online memorial project seeks to identify them all and to provide more information about the lives of those killed.

The historian of Woolworths, Paul Seaton, has also researched and developed online an outstanding Woolworths museum including an evocative memorial page to the victims of the V2 attack on the store in the News Cross Road. 

There were thirty staff and one hundred customers in Woolworths when the rocket struck at 12.26 p.m. As Paul wrote: ‘They were simply shopping for saucepans and gifts or drinking Bovril and other hot drinks at the Tea Bar on a busy Saturday before Christmas.’

Read More »

Remembrance at Goldsmiths- a question of resilience?

Goldsmiths, University of London Richard Hoggart main building entrance in 2023 with a jet plane flying overhead. Image: by Tim Crook for the Goldsmiths History Project.

Armistice Day- the eleventh day of the eleventh month symbolises the UK’s immeasurable losses to armed conflict in the Great War of 1914 to 1918. It is then followed by Remembrance Sunday.

The memory of those who died in war is one of the first displays seen when walking through the Goldsmiths entrance. It is set out in the polished and carved brown oak panel in the alcove to the left.

It is very tactile in the sense you can touch the surface with your fingertips and outline the names commemorated for ‘They Died For Freedom And Honour.’

When the sun streams in through the windows, light can shine on the group of individuals where rank and service is identified with the names of people who had mothers, fathers, brothers, sisters and more often than not young children; sometimes infants who would grow up without any memory of a father’s voice, smile, touch and loving eyes.

Read More »

Percy Thomas Rothwell- Outstanding Goldsmiths’ student, lecturer who played Hockey for England, survived Dunkirk, liberated Tobruk and then died defending it

For more than 30 years now I have walked past the Goldsmiths’ memorial to those students and staff killed in the First and Second World Wars of the 20th century and have been finding out about the lives these names and initials represent.

Goldsmiths memorial to alumni (staff and students) who died while in service during the First and Second World Wars. Image: Goldsmiths, University of London

Goldsmiths memorial to alumni (staff and students) who died while in service during the First and Second World Wars. Image: Goldsmiths, University of London

Their achievements and sacrifices are truly humbling.

Their loss left grieving and unutterable sadness.

The sound of the crack of a hockey stick against ball whenever the game is played on what is now the College Green bordered by the Professor Stuart Hall, Ian Gulland and Richard Hoggart main buildings summons up the memory of one of them.

He was Percy Thomas Rothwell and would go on to play Hockey for England.

When he was a student teacher at Goldsmiths between 1931 and 1933 he was known as ‘Jinks’ and while there he fell in love with fellow student teacher Dorothy Ellen Lord who was known by her nickname ‘Bill.’

Read More »

Mary Quant- the entrepreneurial fashion legend whose genius was inspired by her time at Goldsmiths

Dame Mary Quant has been hailed as the fashion genius who changed the way people thought, felt and looked in Britain.

After her passing at the age of 93 on 13th April 2023 she featured on at least 10 of the front pages of the UK’s national newspapers with tributes such as the ‘Designer who revolutionised British fashion in the 1960s’, and ‘The 60s high street fashion trailblazer’ who ‘blew the doors off fashion as we knew it.’

The headlines reflected her iconic status: ‘Farewell, Ms Miniskirt’ (Metro), ‘Pioneer of mini-skirt who shaped Sixties’ (Express), ‘Visionary British youth culture pioneer and 1960s fashion icon’ (Financial Times), ‘Fashion owes so much to her” (Guardian), ‘Farewell to the queen of fashion’ (i newspaper), ‘The genius who invented modern fashion’ (Mail), ‘Revolutionary Quant’ (Scotsman), ‘Mini skirt queen Mary’ (Star), ‘Farewell, contrary Mary’ (Telegraph), ‘fashion designer who popularised the miniskirt and created a liberated look for young women that defined the Swinging Sixties’ (Times).

In her two autobiographies, Quant by Quant, first published in 1966, and Mary Quant Autobiography, published in 2012, she started with her time at Goldsmiths and the years she pursued her passion for art and design in The Goldsmiths’ College Art School of that time.

She celebrated her dramatic and stylish first encounter at a Goldsmiths Christmas Arts Ball with her first husband and partner, the aristocrat Alexander Plunket Greene and she relished talking about the influence and experiences with the avant-garde world that Goldsmiths opened up for her.

She was taught by leading modernists and surrealist artists, designers and illustrators such as Sam Rabin, Betty Swanwick and the legendary embroiderer and textile artist Constance Howard.

She was surrounded by fellow disruptors and cultural subversives- the notorious art forger, Tom Keating, who dedicated his talent and painting career to expose the capitalist greed of the art world, and Quentin Crisp ‘The Naked Civil Servant’- writer, illustrator, actor, and artist’s model. The celebrated abstract artist and designer Bridget Riley was another contemporary student.

Mary Quant would always remain a friend to Goldsmiths. On 23rd September 1993, she returned to receive an Honorary Fellowship and her advice thirty years ago to the graduating students in the Great Hall of the Richard Hoggart main building remains prescient in the present day.

She predicted the impact and significance of ‘the knowledge explosion’- which is now the digital information age of artificial intelligence, the implications of people living longer, and the need to be flexible and seize the opportunities of the future.

Mary was born Barbara Mary Quant in Blackheath in 1930 to high achieving parents, Jack and Mildred from tough working class backgrounds in Wales. They both gained firsts at university and became teachers- her mother actually lectured at the London College of Fashion.

Her family evacuated to the Kent countryside during the Second World War where she witnessed the Battle of Britain in the summer of 1940.

portrait of Mary Quant in 1966

Mary Quant in 1966. Jack de Nijs for Anefo. Creative Commons.

Mary was a pioneering counter-culture rebel and decades before being one was the zeitgeist.

She wanted to go to fashion school. Her parents wanted her to become a teacher.

The compromise was enrolling on the art teaching diploma course at Goldsmiths’ College Art School.

Mary never had any intention of being a teacher. The tensions and rows at home predicted the intergenerational discord of the 1950s and 60s.

Mary explained why her parents’ implacable resistance to her dreams of going to fashion school proved to be an advantage in the end:

‘There is no future in fashion, they said, and from their perspective they were probably right. There was no future in the old ways, fashion came direct from the top couturiers of Paris, and was produced in cheap copies by mass manufacturers for everyone else. Dior’s ultra-luxurious and opulent New Look, for instance, was developed out of a longing for past ideas of female beauty and a desire to sell more fabric – Dior being owned, directed and backed by the millionaire cotton manufacturer Marcel Boussac. The look was so impossibly extravagant and unwieldy for everyday street life that it probably helped hasten the demise of the domination of Paris couture. If I had gone to a fashion school at that time I would have been taken to Paris to see the collections and taught to adapt them for mass production, as that was the way things were done. Luckily I wasn’t. But I longed to design clothes. My parents and I settled on a compromise. I enrolled at Goldsmiths.’

Read More »

Eric Fraser- the Goldsmiths Art Student who symbolised the age of modernist broadcasting

2022 is the 100th year of the BBC’s history.

For at least 50 years of that century it was Goldsmiths Art School graduate Eric Fraser who provided many of the illustrations imagining Broadcasting’s Radio Age and its journey and transition into the television world.

The cover for the ‘Radio Drama Number’ 1st March 1929 captures the sense of excitement in pioneering creative sound drama from seven different studios.

All the sources are mixed together using the new ‘Dramatic Control Panel’ live to air from the BBC’s then headquarters at Savoy Hill on the Embankment near Blackfriars Bridge.

It’s only a short walk away from the famous Savoy Hotel on the Strand and the hub of London’s West End theatreland.

There’s a sense of Art Deco futurism, cubism and the Machine Age all contributing to an imagined iconography of the culture and creativity of the BBC’s first ten years.

This special issue is devoted to radio drama for the first time.

At the top is the outline of the orchestrating, piloting, conducting radio producer flying or playing the control panel of sound feeds.

These feeds are panelled in seven parts around the titles of the main articles discussing the past, present and future of the microphone play.

Eric has drawn in pen and ink the pulsating rhythm of live band and symphony, sound atmospheres and spot effects, and actors performing singly and in ensemble.

There are tributes to ‘The Kaleidoscope’- a modernist experimental sound feature auteured by Lancelot De Giberne Sieveking, D.S.C , ‘The White Chateau’- the first anti-war play written by Reginald Berkeley M.C. for Armistice Night 1925 and the first British radio play ever published in book form, the dramatisation of Joseph Conrad’s novel ‘Lord Jim” by Cecil Lewis, and “Carnival” by the novelist Compton Mackenzie who performed the narration of his own book, and had plenty to say about ‘The Future of the Broadcast Play.’

The reference to ‘Speed’ was BBC Radio’s first and original foray into science fiction on the radio- written by its first Director of Productions R E Jeffrey under a pseudonym.

Goldsmiths’ Library has its own collection of most of the original issues of the Radio Times published during the 20th century.

The Goldsmiths History Project has also acquired two original invitation cards designed by Eric when a student in New Cross.

He illustrated the cards for the School of Art’s Fancy Dress Ball on 10th February 1923 and the Fancy Dress Ball for St Patrick’s Day 17th March of that year.

This online feature has been researched, written and published to coincide with an exhibition of Eric Fraser’s work and links to Goldsmiths in the Library’s Special Collections area from June 27th to 12th August 2022. (See more details at the end of this posting.)

Read More »

Anita Elias- Goldsmiths voice trainer and visiting lecturer

Voice trainer, actor and Goldsmiths visiting lecturer Anita Elias as the candidate in the 2015 advert for Shreddies Nanas

Voice trainer, Goldsmiths visiting lecturer and actor Anita Elias playing the role of the candidate in the 2015 Shreddies Nanas launch NanaState advert.

Longstanding Associate Lecturer in the Department of Media, Communications and Cultural Studies at Goldsmiths, Anita Elias, passed away 22nd December 2021 at her home in Hampstead at the age of 79.

Anita was an outstanding voice coach and highly respected professional actor having studied at Royal Central School of Speech and Drama, University of London for three years.

She taught use of voice to MA Radio students at Goldsmiths University of London as an associate lecturer for 25 years.

Many generations of broadcast journalists and radio broadcasters owe her a great debt for the skills and confidence she imbued in them.

She is in a noble tradition in Goldsmiths’ history.

Anita’s willingness to travel to New Cross for the very modest fees paid to visiting lecturers and provide all the benefits of her artistic and professional knowledge and experience represents a vital part of the story of the College.

Read More »

How and why did Sex Pistols Manager Malcolm McLaren burn down the Goldsmiths’ College library?

The destruction caused by the fire in Goldsmiths’ College library in March 1971. Image: Goldsmiths’ archives.

For three to four years between 1968 and 1971 Malcolm McLaren, then known as Malcolm Edwards, was a charismatic, enigmatic, disruptive and strikingly original art student activist at Goldsmiths’ College.

It seems likely his behaviour as a Situationist Marxist was being regularly reported to Metropolitan Police Special Branch and then on to MI5.

He helped instigate the biggest, loudest and most memorable art and music festival in the university’s history.

It’s never been repeated because when King Crimson played the back field, they could be heard loudly and clearly in Hilly Fields Park near Ladywell- well over a mile away.

So many thousands descended on the College grounds- lured there with the exaggerated and false promise of Pink Floyd and the Rolling Stones, College security and the police surrendered all hope of controlling the numbers.

The scent of marijuana was in the air and lying and rolling around on the grass in the summer sunshine, it could be said people got to know each other much more intimately than would normally be expected in an educational environment.

Malcolm left Goldsmiths without completing his degree, spooked the senior management of the College by invading and squatting in their meetings with ‘silent staring’, stole the library’s most expensive art books to sell to Charing Cross Road rare book dealers and later confessed to burning down the College library to cover his traces.

It’s also been claimed he assaulted Andrew Forge, the chair of the Art School’s Academic Committee with a copy of Chairman Mao’s ‘Little Red Book,’ and the agitation and student unrest he fomented generated intolerable stress for the Art School’s Principal.

Cover of the much-acclaimed biography of Malcolm McLaren by Paul Gorman, published by Constable in 2020

In 2020 the back cover of his acclaimed biography by Paul Gorman offered some 86 descriptions and identities to attempt to answer the question ‘Who was Malcolm McLaren?’

Many of his contemporaries and alumni interviewed for the Goldsmiths’ History project would agree with ‘troublemaker, anarchist, exhibitionist, media manipulator, and Situationist.’

Those sympathetic to his complex and creative personality would also agree with ‘cultist, art student, enabler, friend, iconoclast, humorist, performer, painter, raconteur, romantic, visual artist and visionary.’

In popular culture, the Guardian said Malcolm McLaren was ‘the Manager of the Sex Pistols and a pivotal influence on late 20th-century pop culture.’

Dave Simpson wrote that the impresario ‘was one of the pivotal, yet most divisive influences on the styles and sounds of late 20th-century popular culture.’

He is perhaps best known as manager of the Sex Pistols, the punk-rock band that was a rude and loud cultural counter-point to the Queen’s silver jubilee in 1977. When he died in 2010, the BBC reminded us that ‘he was arrested on the Queen’s Silver Jubilee after sailing down the Thames on a boat with the band while they played their anti-establishment song God Save The Queen.’

The lyrics continued: ‘The fascist regime, They made you a moron, A potential H bomb’ when sailing by the Palace of Westminster.

Simpson said: ‘With his first partner, the designer [now Dame] Vivienne Westwood, he popularised looks from punk to fetish, which still dominate the fashion world.’

The journalist Julie Burchill once said ‘we are all children of Thatcher and McLaren.’

Read More »

Meg Hinwood and her life as a Goldsmiths student in words and pictures-1907 to 1909

This remarkable postcard of a tram travelling past the snow-covered front of Goldsmiths’ College in Lewisham Way just before Christmas 1908 was in an album donated to the University’s archives by Meg Rayner, née Hinwood, in 1968. She had been a student at Goldsmiths between 1907 and 1909. The outline of the tram with an advert on its side can be seen towards the right of the picture as it travels past the iron side gate. Image: Goldsmiths Archives. All rights reserved.

Introducing Meg Hinwood

This is the story of a working-class girl from Dover who exceeded her wildest dreams at the beginning of the 20th century of being able to go to University to train to be a teacher.

In her excitement and joy when studying in London for two years and embarking on a future career as a professional young woman Meg would continually buy postcards depicting life and scenes during her Goldsmiths’ College life.

These would be produced by a resident College photographer called Mr Wilkinson.

An impromptu, informal and popular image of male senior and junior students getting together raucously to pull faces and make gestures in front of the College’s photographer in 1909. Standing at the back is the tall figure of one of the two Egyptian students holding four books during a break between lectures. There was gender segregation during the early 20th century with men’s and women’s entrances and corridors and separate follow-up assemblies and College Vice-Principals. Image: Goldsmiths Archives. All rights reserved.

Meg would write notes on the back with her latest news and post them to her mother with instructions to put them in an album.

Meg Hindwood's handwriting on the back of one of her postcards.

Meg Hinwood writing a note to her mother on the back of the ‘fellows in the quad’ picture of Senior and Junior male students taken by Mr Wilkinson, the College photographer. Image: Goldsmiths Archives. All rights reserved.

This was the early 20th century medium of email or Instagram.

A social news picture and text message.

Though at this time it needed a stamp bearing the portrait of King Edward VII and the auspices of the Post Office to carry it to its destination.

Meg was at University during a crucial period in the social history of Britain.

The London Meg Hinwood chose to study in between 1907-9 was the biggest and richest metropolis in the world, but New Cross and Deptford were mainly working-class with much over-crowding, poverty and child mortality. Around seven million people lived and worked in London. The Jewish community was the largest immigrant group. Chinese and Indian immigrants became more prominent and established, and a small but significant African and Black Caribbean community continued to prosper. The Pan-African Conference had been held in London in 1900 and this was a sign of the capital becoming an important centre of counter-imperial political activism.  The 1901 census recorded 33,000 Londoners as having been born in the British colonies or dependencies. This is a crowded scene in Petticoat Lane market around 1909. Image: George Bain news agency, US Library of Congress. Public domain.

Suffragettes were taking direct action in the campaign to win the right to vote.

London was the capital of an imperialist world power boasting that it controlled one fifth of the world’s surface with racist subjugation of many other countries and peoples.

This was an age when the working classes were beginning to organise for better pay and conditions through trade unions, and Parliament through Liberal governments were laying the foundations of a Welfare state.

The Edwardian period was attended by growing industrial unrest as trade unions began to organise Labour to improve pay and conditions. This is the entrance to the Great East India Dock during a strike circa 1910. Image: George Bain news agency, US Library of Congress. Public domain.

A disadvantaged and Working Class Background

Meg (Marguérite) Hinwood was brought up in her grandparents’ home in Dover by her widowed mother.

Her father, William Hinwood, was only 27 years old when he died in 1889- just two years after she had been born.

She was too young to properly remember him.

He had been an accountant’s clerk and Meg and her mother Anne had been devastated by what the local newspaper described as his ‘deeply regretted death.’

They had to leave their life in Malmesbury Wiltshire to move in with Anne’s parents in Dover.

Meg was brought up in the terraced house at number 30 Clarendon Road overlooking the port and only a few streets away from Dover Priory railway station. They called their home ‘Fern Bank.’

The house is still standing in this residential part of the town.


Read More »