Category: BA Fine Art & History of Art

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Defne Oruc

Email: defneoruc1@gmail.com

Website: https://defneoruc.pb.studio/



  • A collage made from wood, cardboard and fabric hanging on a white wall.
    Untitled (Garden), Digital print, 35mm film photography, found wooden boards, Dimensions Variable, 2022.
  • A sculpture made from wooden pallets and green plastic standing in a room.
    Untitled (Window), Wood palate, digital print of 35mm film photograph, 155cm x 95cm, 2022.
  • A view looking between the slats of a wooden pallet, showing a black and white photograph underneath.
    Untitled (Station), Found tile and wooden palate, A6 digital print of 35mm film photograph, Dimensions Variable, 2022.

Installed as part of ‘Horizons’, a photography group show which works with and from visual, aesthetic, public boundaries and landscapes.





  • An abstract black print against a square, white background.
    Untitled Series, Monoprint, 2022.
  • An abstract black print against a square, white background.
    Untitled Series, Monoprint, 2022.
  • An abstract black print against a square, white background.
    Untitled Series, Monoprint, 2022.
  • An abstract black print against a square, white background.
    Untitled Series, Monoprint, 2022.





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Lucy Meeber

Email: lucymeeber@gmail.com

Instagram: @lucy.meeber

Website: lucymeeber.com



A printed role of paper is emerging from the cavity of a wooden piano in a large, wooden room.
Amplifier, Hand-made book Installation, Printed art paper, Ink, 2022.

Trees obey their own rules of growth.

The outer tree bark is dead, however, the underneath is still full of vitality.

The recombination of partial textures reveals a noumenon of the subject, like a map.





An image of a person's hands leafing through a book made out of frozen bags of ice.
The Ice Book, Hand-made book Installation, Ice, water, plastic food bags, fishing line, 2021.

Plastic food bags are bound together with the fishing line.

While people start reading, the ice inside is melting, and The Ice Book is in flux.

The process of reading is not a one-sided thing.





a image of a book from above. the left hand page is pulling a black string from an image of a belly button on the right hand page.
Null Island, Hand-made book installation, Cotton threads, printed art paper, 2020.

The belly buttons are connected by a circular cotton thread.

“Invisible umbilical cord” has been materialized —

their networks of relationships

are expanding outward to the whole world

and finally back to whence they started.





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Ciara Mckenna

 Email: ciaramckenna@icloud.com

Instagram: @ciaramckenna__ 





An oil painting of two hands touching against a deep green background.
02, Oil on Canvas.

I draw from vintage film photography, deconstructing it and slowly piecing back to together something that once was. The paintings aim to depict the elasticity of time and bring into question the idea of personal archive.





an abstract painting of angels against a pink and deep green background.
02, Oil on Canvas.





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Nicola McEvoy

 Email: nicola.mcevoy@outlook.com 

Instagram: @_strangulate 

Vimeo: Nicola McEvoy

Website: televisionalchemy.studio



Suminagashi, Video, 2020.

Suminagashi (2020) explores the liquid materiality of television. The passive orientation we have towards television correlates with esoteric notions of water: of being receptive but also of intuition, spiritual knowledge, and emotions.





Primordial Chaos (Subjectivity of Water), Video , 2021.

The primordial mythos of Water is that of life bearer, before science mapped out evolution. It became the symbol of the subconscious, as if it has its own subjectivity that precedes humanity’s own.





  • An abstract image in a black frame.
    Mother/Mana, Chemigram on Silver Gelatin, 2019-2020.
  • An abstract image in a black frame.
    Dream Horse, Chemigram on Silver Gelatin, 2019-2020.
  • An abstract image in a black frame.
    The Animus, Chemigram on Silver Gelatin, 2019-2020.
  • An abstract image in a black frame.
    The Animus 2, Chemigram on Silver Gelatin, 2019-2020.

Archetypal images conjured in a chemical bath. A scrying of sorts but not for divination.





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Kristina Ludvigson

Email: kristina@kejl.se

Instagram: @kristinaludvigson

Website: www.kejl.se



A saturated image of some trees.
Observer I, Digital Knit Print, 1m x 2.8m, 2021. 

Print of a digital photograph taken at an abandoned place in the woods that once belonged to my ancestors.





An abstracted and mirrored image of some trees.
Observer II, Digital Knit Print, 1m x 2.8m, 2021. 

Print of a pinhole photograph taken in a homemade pinhole camera mirrored vertically in a dark room.





a pastel drawing of abstract, plant-like and cellular shapes in muted, dark tones of green and brown.
We have all risen from the same primordial soup, Charcoal and soft pastel on MDF, 147cm x 122cm, 2022.

Inspired by both old and new observations and speculations of the material world, where things and life occurs and dissolves.





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