Shani Haquin

Email: shanihaquing@gmail.com

Instagram: @shani.haquin



an abstract oil painting of a reclining figure, in red, green, pink and blue.
30.08.2021, Oil on Canvas, 2022. 

The canvas process: Dark wall paint, then white wall paint. I later applied Gesso mixed with water. The final process is to apply olive oil, which soaked into the canvas and reveals the first layer.





An oil paining of some topless figures in red and blue.
Phi, Oil on Canvas, 2022.





An image of a person in a blue shirt standing in front of some paintings in a studio.
Studio view, 2022.





Sara Dana

Email: saradana1999@yahoo.com

Instagram @saaradana



  • An abstract watercolour drawing on paper.
  • An abstract watercolour drawing on paper.
  • An abstract watercolour drawing on paper.
  • An abstract watercolour drawing on paper.
  • A ceramic shell.
  • A ceramic shell beneath two abstract watercolour drawings on paper.

This is a collection of works I’ve done over the past two years, which have developed in to my final project for degree show.





An abstract watercolour drawing on paper.
Untitled, Watercolour and Ink on Paper.

Inspired by pareidolia, these paintings explore themes of surrealism and freedom of expression. This work is development of my previous paintings. Here I have used a 2 meter long piece of paper which was folded after watercolour was applied and then was drawn on.





Untitled, Ceramic.

In this work I have tried to experiment with the themes of spontaneous creation and imposed interpretation through the medium of clay. I was highly inspired by sea creatures and organic forms.





Josh Clague

Email: Joshua.clague@yahoo.co.uk

Instagram: @josh_clague_



  • A rectangular piece of fabric, with embroidered song lyrics, hangs from a metal pole on the wall, folding onto the floor. A pink stripe of paint runs above it.
  • A rectangular piece of fabric, with embroidered song lyrics, hangs from a metal pole on the wall, folding onto the floor. A pink stripe of paint runs above it.
  • A rectangular piece of fabric, with embroidered song lyrics, hangs from a metal pole on the wall, folding onto the floor. A pink stripe of paint runs above it.
  • A rectangular piece of fabric, with embroidered song lyrics, hangs from a metal pole on the wall, folding onto the floor. A pink stripe of paint runs above it.
  • A rectangular piece of fabric, with embroidered song lyrics, hangs from a wall. A pink stripe of paint runs above it.

The installation touches upon elements of memory, family, fandom, and form. Exploring a form of grief that feels both collective and individual whilst using personally charged material as such as pop music lyrics and lavender oil.





An image of two hands holding one another hangs from a metal support. The image on the textile is inverted and produced with a variety of wool and cotton yarns in various shades of blue.
Untitled (White Heat), November 2021, Digitally knitted textile, wool, cotton, metal.

An image of two hands holding one another hangs from a metal support. The image on the textile is inverted and produced with a variety of wool and cotton yarns in various shades of blue.





Video documentation of a performance piece that shows the experience of the piece both with and without listening to the headphones provided.





Seojin Choi

Email: tinachoi088@gmail.com



A white textile piece hanging in the form of a wave in a white room.
Past Imperfect, Textile, 2020.

Memories are interconnected. Memories are imperfect and extremely personal. We remember what we want to remember, and we erase what we don’t want to remember. There is always a gap in memory.





  • A poe written in green yarn hangs around a white room.
  • A poe written in green yarn hangs around a white room.

A poem about the relationship between love and erosion in the form of a gentle wave.





Lily Ashrowan

Email: lily@ashrowan.com

Vimeo: Lily Ashrowan

Website: www.lilyashrowan.com



  • A photograph of a dark street.
  • A photograph of a tree in a forest.
  • A photograph of a dimly lit person against a brick wall.
  • A photograph of a lamp post beneath a tree at night.
  • A photograph of two houses next to each other.
  • a corridor illuminated green.
  • A photograph of a dimly lit body of water.

An ongoing set of photographs which capture ghosts. These spectres are glimpses of past presents or future pasts which leak into the now, to become portals, or ephemeral moments of resonance.





Exposure, Video, 2022.

A crisis of representation, both personal and universal, where the black screen becomes the luminous site of the image’s immanence. This film enacts a loss and therefore transforms it.





Armchair Rave, Audio, 2021.

An audio work that sonically charts the personal history of my parents’ entanglements with the early rave scene, from snippets of conversation and news reports, to samples from the tracks which move us.