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Update from Special Collections

Yesterday, staff from Special Collections had a rather busy evening with Althea Greenan (Women’s Art Library Curator)  speaking about WAL  at the Centre For Feminist Research’s ‘Launch: Take Two‘.

Alice Measom (Archivist) attended the launch of a Fred Inglis’ new book:  ‘Richard Hoggart: Virture and Reward’. Richard Hoggart was Goldsmiths Warden 1976-1984 .   A copy of this book is now available in the library, alongside Hoggart’s celebrated book ‘The Uses of Literacy’ (1957).  Special Collections and Archives also hold some of Hoggarts papers – for more information see here. If you would like to view these papers please contact us at special.collections@gold.ac.uk .

Women’s Arts Practices – Wikipedia Editing Event

Help the Women’s Art Library celebrate International Women’s Day by improving Wikipedia’s information on women’s arts practices.

Local Woman

We will be working with trainers kindly provided by Wikimedia UK, who will induct us into the mysteries of effective article-making for Wikipedia. With the resources of the Women’s Art Library we will be writing articles or improving on existing ones.

Bring your laptop if you have one, and the name of an individual, movement or project that deserves more attention on Wikipedia.

Places are limited. For more information please click here.

Or register directly on Eventbrite.

We hope to see you there!

Saturday 8th March, 11:00-16:00
Women’s Art Library
Special Collections
Library, Goldsmiths, University of London

Using Special Collections & Archives for Research

Old bookspace

As part of Dissertation Week in the Library, Special Collections are running a session on how to use the resources in your research and what help is available from Library staff.

space

Special collections and archives contain a wealth of information for research and inspiration. Use of primary sources will make your research stand out, but archives can sometimes be daunting. In this session we’ll answer the questions:

* What are ‘archives’ and ‘special collections’?

* How can they be used in my research?

* How do I get started?

* What collections are available in London and how do I access them?

This introductory session is open to all. You will have a chance to handle collection objects and ask questions.

See you there!

Wed 12 Feb, 14:30-15:15,
Special Collections Reading Room

Christine Risley Award 2013


photo via: UWE




Entries are welcome for the Christine Risley Award for outstanding work relating to textiles. This is a fantastic opportunity for final year undergraduate students of any department to gain recognition for their work with textiles. There is a £500 prize to be won. Submission specification is below, for more details, contact the Constance Howard library in Deptford Town Hall




Submission specification
  • The student must be enrolled in an undergraduate course at Goldsmiths.  The student must be in his/her graduating year at the time of submission.  The Award is open to a student of any discipline.
  • The work has to relate to an area of textiles. It may encompass any media and must be practice-based/creative work.
  • The jury will view the work at the final degree shows. If a student wishes work to be considered that will not be at a final degree show, please contact the curator at textiles@gold.ac.uk by 5 pm on Monday 20th May 2013.
  • The winner will receive £500. The Gallery may wish to purchase the winning work, for which a separate sum of money will be paid.
  • The judges retain the right not to award a prize.
  • In exceptional circumstances the award may be given for post graduate work.

Sourcing the Archive

‘Sourcing the Archive: new approaches to materialising textile history’.

Keynote Speakers: Professor Carolyn Steedman, University of Warwick
Dr Solveigh Goett, Textile Artist and Researcher. 

Textiles attract through their sensory appeal – their texture and weight, smell, malleability, sound, retention of owners’ and makers’ bodily traces – factors only fully appreciable through physical engagement with them. Yet many, especially modern, historians have relied – often of necessity – on documentary or visual sources to research textile history. The 2013 Pasold Conference, jointly organised by Goldsmiths Department of History and the Goldsmiths Textile Collection will explore how tacit knowledge of material and affective relationships can be traced through the words we think with (Lakoff & Johnson 1999, 2003) with a view to asking: how can our engagement with textile sources extend our knowledge of the past? What can textiles communicate that other sources cannot? Building on a range of recent events which encourage engagement with the materiality of textiles, textile archives and/or the relationship between textiles and other historical sources the Conference will seek to identify textiles’ unique contribution to the advancement of historical understanding and practices.

We welcome proposals for 20-minute papers/presentations from historians, practitioners, writers and scholars in any discipline and concerned with any period or region. Proposals from postgraduate students are warmly welcome. Themes for papers may include, but are not limited to the following and we encourage creative interpretation of the overall conference theme:

– The unique value of textiles as historical sources.

– The relationship between physical and other (documentary, visual, digital) textile sources.

– The nature and purpose of physical textile archives in a digital age.

– The extent to which the value of physical engagement with textiles can be recovered when the textiles no longer exist.

– The challenges of, and solutions to, disseminating research findings which demand physical engagement with textile sources.

– The value of the materiality of textiles for cross-cultural/disciplinary interactions and writing about history.

Proposals, c. 250 words (and enquiries) should be sent to: v.richmond@gold.ac.uk by June 7 2013 Goldsmiths’ acclaimed history of innovative work in the textile arts will be celebrated during the Conference with a special exhibition of material from the Goldsmiths’ Textile Collection, ‘an eclectic, international treasure trove of textiles’. There will also be an optional afternoon of object handling in the Collection to generate discussion around new ways of writing history.

The Bookshop Band

The Bookshop Band_small

On the 10th December 2012 we had some very special guests in Special Collections! In collaboration with the Department of Music, the Bookshop Band performed a selection of their songs and gave a talk about their song writing techniques, transforming the Special Collections reading room into an intimate music venue.

[youtube=http://www.youtube.com/watch?v=np3L0ABSgTI&feature=youtu.be]

Formed in late September 2010, The Bookshop Band write songs inspired by books, and play them in bookshops. Most of the songs come from when their local bookshop in Bath, Mr Bs Emporium Of Reading Delights, hosts an author evening. The band read the book, and write two songs inspired by it, to be performed at the start of the evening, with the author in the audience.

After the first year of events they had recorded four albums, and quietly released a boxset with them all in. Supported by VINTAGE BOOKS the band went on a tour of independent bookshops around the UK in 2012, also coinciding with Independent Bookseller’s Week. Over this period they have been featured on 6Music, The Today Program, Front Row, BBC 1 News, and The Guardian among others. During 2012 the band have written a further three albums and hope to record them for release in early 2013.

[youtube http://www.youtube.com/watch?v=66_HrE2OtnE]

Above is just one of the songs performed last term in the library, and is inspired by Jamrach’s Menagerie by Carol Birch.

The event was a great success and enjoyed by all students and staff who attended. Have a look at the Bookshop Band website for more videos and book-inspired songs.

 

Current events in Special Collections

“Exploring the different forms of distribution, promotion, and preservation performed by these archives that were once living networks, All My Independent Women 2012 searches for new modes of accountability and circulation within the arts that are based on dialogue with a potential for re-invention.”

Right now there is a ‘video lounge’ set up in Special Collections (with bean bags!) showing a selection of videowork by women artists curated by PhD student Carla Cruz. The project is called AMIW 2012 (AMIW= All My Independent Women) and is available to view any time. The Special Collections office is open: Mon-Fri 9.15-17.00 and until 19.00 on Wednesdays. This is open to all students and will be available until 16th December

Tomorrow evening (Friday 28th) there will be a workshop from 5pm to 7pm titled “Practicing Sexual Difference” that is related to Carla Cruz’s project. Althea Greenan (Senior Library Assistant for Special Collections) will be on site and looking after these events. 
There are more workshops scheduled for October 10th, November 2nd and 9th and December 5th. For more information on these go to http://amiw2012.blogspot.co.uk/.